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As an artist I'm tapping into the collective unease arising from the conditions of acceleration. Of technology, anxiety about the future, the de-centring of cultural boundaries, and a breakdown of certainty and truth. This troubled relationship with history and the present moment is explored in my work through an engagement with conditions of instability, precarity, turbulence and excess in the ideas that inform it, and in the experimental ways in which it is made.
Employing print-making, painting, assemblage and optical techniques in assemblages and installations, I'm working with disparate materials, uncertain outcomes and precarious forms of display to open a range of interpretative and experiential possibilities.  Harnessing material agencies, minimal gestures and strategies of distortion, slippage, layering and composites, the question arises, what can be revealed through this process of accretion?  I'm looking to explore and expand the sensibilities, visions and languages can arise from accumulation and disintegration.
With a background in economics, design magazines and publishing, my foray into the art world began with a  Bachelor of Fine Arts from VCA, majoring in Painting. I'm currently enrolled in the MFA program at RMIT and my work has received the Fiona Myer Award for Painting, Linden New Arts Henry Award for Abstraction and has featured as a finalist in the Ravenswood Art Prize, the Fischer’s Ghost Art Prize and the Castlemaine Experimental Print Prize. My work has been included in multiple group shows and is in private collections around Australia.

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